Just got the interface today, and I gotta say it quite exceeded my expectations. I paired with a new AT4050, and the recording quality is superb with imperceptible noise floor and crystal clear vocals (the 4k button, I guess, is a gimmick like a built-in EQ and not something that post-processing plugin cannot do, but it's still a nice thing to have at hand and does make the sounds clearer). What surprises me is that the headphone playback sound quality is really good with wide soundstages and quite punchy bass. It only has a 6.3mm jack though, so I just tried with my HD599 at hand (which doesn't have a high impedance), but the SQ is quite a pleasant surprise considering the interface is only ~200USD (30000 JPY) and most of the cost is probably spent on recording, not playback. Its sound is probably not up there with something like my sony WM1AM2 (~900USD), but better than my Dragonfly Cobalt (which is also ~200USD, but it doesn't record!) or 2023 Macbook Pro headphone jack. I just used it for a day so far and haven't gotten to discover any downsides/problems yet. If there's anything, the interface is somewhat on the bulky side, and lack of 3.5mm jack is a minor inconvenience. P.S. I actually first got an Audio Technica AT-UMX3 thinking it would pair with my AT mics better, but unfortunately it is quite far behind the SSL2 in terms of both recording and replay sound quality. My unit also had a problem with loopback recording not working properly, so I had to simply return it after day 1 and go with this SSL2. Read more

A lo largo de unos años he tenido varias interfaces de este rango de precios, con mas o menos funcionalidades y esta sin duda es la más cercana a una gama media. Suena realmente bien, lo previos te entregan una zona medio/grave calentita y la opción del 4k, que no es nada mas que un boost en agudos y algo de distorsión armónica (propio de SSL) ya te dan dos colores distintos. Tener la opción de escuchar lo que sale del ordenador y lo que entra por los inputs es un gran acierto que muchas otras interfaces de entrada han obviado. La construcción es muy solida, los knobs van muy finos, con algo de resistencia, se agradece. Todas las conexiones tanto de entrada como de salida en la parte trasera, sinceramente un acierto, muchas interfaces de entrada lo tienen en el frontal, muy incómodo para conectar y desconectar, ademas te quitan espacio útil. Si actualizas el firmware podrás utilizar Loopback, muy util para compartir todo lo que entra y salga de la interfaz. Lo que mas agradezco de todo, es plug&play en mac, no tienes que instalar absolutamente nada. Read more

As an audio enthusiast and content creator, I recently upgraded my home studio setup with the Solid State Logic SSL 2 USB Audio Interface, and I couldn't be more impressed. Firstly, the build quality of this interface is exceptional. It feels solid and well-built, with a sleek design that exudes professionalism. The metal casing not only looks great but also provides durability for long-term use. The interface's compact size makes it portable and easy to integrate into any workspace. The SSL 2's audio quality is outstanding. The preamps deliver clean, transparent sound with plenty of headroom, capturing every nuance of my recordings. Whether I'm recording vocals, instruments, or podcasts, the SSL 2 consistently produces professional-grade audio with minimal noise and distortion. Setting up the SSL 2 was a breeze. The plug-and-play functionality made installation effortless, and the included software bundle (featuring SSL Native Vocalstrip 2 and Drumstrip plugins) added value to the package. The interface also integrates seamlessly with my preferred digital audio workstation (DAW), providing low-latency monitoring and intuitive control over my recordings. One of the standout features of the SSL 2 is its "Legacy 4K" analog enhancement, inspired by the classic SSL 4000 series console. This feature adds a subtle yet noticeable analog warmth and presence to my recordings, enhancing the overall sonic character and depth. The SSL 2's connectivity options are comprehensive, with two pristine mic/line inputs, two additional line inputs, and dedicated headphone monitoring. The inclusion of MIDI I/O expands its versatility, allowing me to connect external MIDI devices with ease. Overall, the Solid State Logic SSL 2 USB Audio Interface is a stellar addition to any home or professional studio setup. With its exceptional build quality, pristine audio performance, user-friendly interface, and versatile features, it's a standout product in its class. Whether you're a musician, podcaster, or content creator, the SSL 2 elevates your audio production to the next level. Highly recommended. Read more

SSLからからコンパクトなオーディオインターフェイスが出てると知って、早速在宅勤務PC用に買ってみました。アンバランスLINE出力でも明瞭な音でテレビ会議できます（笑）。 ツマミもSSL卓のカラーリングで、これが自室にあるだけで気分がアガります。メインアウトの大きなノブはアルミ製っぽくてしっとりとした感触です。惜しむらくはチャンネルセクションにある謎めいた4Kボタンで、ボタンのラッチが途中で引っかかる感じがあります。機能としてもミュートボタンにでもして欲しかったです。 ASIOドライバーはありますがループバック機能がないので、YouTubeやゲーム等から録音する時などは、Windowsの場合、VoiceMeeterを使用すると良いです。 追記) ドライバーアップデートでループバック対応しました。最強です。 Read more

In January of 2020, Solid State Logic (SSL) introduced two desktop audio interfaces, the SSL2 and the SSL2+. If you are an audio engineer, you are no doubt very familiar with SSL. You’ll find their mixing consoles in most major recording studios, and more number one hits were recorded with SSL equipment than with any other brand. Their 4000 series is particularly coveted. Now, what SSL has done is condense everything the brand is known for in a compact, affordable package. I’m talking about solid build quality, pristine analogue microphone preamps, and super clean 24/192 kHz conversion. I’m talking about low-latency monitoring, high-performance headphone preamps, and a special Legacy 4K button. Each preamp has a 5-segment LED meter for visual level reference. You can plug in microphones that require 48V phantom power, but you can also use ribbon and dynamic microphones like the Shure SM7B without needing a Cloudlifter ($150 in savings right there!). That’s because the preamps have an ultra-low noise floor of -130.5 dbu EIN, and offer a gain range of 62 dB. That’s enough for very detailed and clean recordings. In the back there are two studio-grade Neutrik mic/line combo jacks, and two 1/4″ outputs for your studio monitors. In addition, the SSL2+ has two 1/4″ headphone outputs as well as MIDI I/O over 5-pin DIN jacks. You’ll also get two pairs of RCA outputs with the 2+ to attach some outboard gear. THE MAGIC NUMBER ELEVEN Most voice overs will be quite happy with the cheaper SSL2. I chose the 2+ because I’ve always wanted an interface I could plug two headphones into. My Beyerdynamic DT880’s, which I use for recreational listening, and my Austrian Audio Hi-X55’s which are my editing cans. What I also like is that both units are USB-powered (USB C & A). No more ugly power brick. If you have an Apple computer like I do, the unit is plug and play. If you’re a Windows fan, just download the ASIO/WDM Driver and you’re in business. Esthetically speaking, these interfaces have the familiar SSL look and color scheme with a simple, logical setup for the knobs. I particularly like the big blue monitor level knob which goes to…. eleven! Speaking of the exterior, what’s this 4K Legacy button all about? SSL puts it this way: "Engaging this switch allows you to add some extra analogue ‘magic’ to your input when you need it. It injects a combination of high-frequency EQ-boost, together with some finely tuned harmonic distortion to help enhance sounds. This enhancement effect is created completely in the analogue domain and is inspired by the kind of extra character the legendary SSL 4000-series console (often referred to as ‘4K’) could add to a recording." Of course that’s just the company talking, so what do I find of this 4K effect? First off, it’s not a miracle cure for bad audio. I’d call this effect a subtle sound colorizer that’s actually quite pleasing to the ear. It adds some mojo to your mix, especially if you’re using a dark sounding microphone. Mind you, once you’ve recorded in this mode, you cannot undo the effect like you would with a digital plugin. To hear the difference, here’s a short recording, first without 4K and then with the switch engaged. Lastly, you’ll hear me line by line without, and then with 4K. I’ve used my new and “darkest” sounding microphone, meaning the one that accentuates the lows in my voice. IT WORKS OUT OF THE BOX What I like about the SSL2 and 2+ is the fact that these units are pretty much self-explanatory. There’s no need to go into a virtual mixer (as was the case with the iD22) and fiddle around with different settings. Everything just works as advertised. The online user guide is easy to follow -even for beginners- and SSL support is very responsive and eager to help. By the way, these SSL desktop interfaces also come with free digital audio workstations like Pro Tools First and Ableton Live Lite (plus some other cool stuff for those who are into music production). PROS AND CONS Let’s end this review with a list of what I liked and liked less. I’ll start with what I liked less about the SSL2+. The housing seems sturdy, but it’s part plastic, part metal. Audient (their main competitor) makes all-metal units, but they are more expensive (the iD14 model is about $300 with fewer features). There’s no on/off button. What’s up with that? My Audient iD22 didn’t have one either. It’s less of a problem with the SSL2+ because it’s bus-powered, so it turns off when you shut your computer down. The cord connecting the unit to the computer is too short. My preamp sits to the right of my iMac, and I needed a longer connection. I just don’t like it when you’re excited to try out a brand new piece of gear, and you can’t because of a short stupid cord. The LED’s don’t show enough dynamic range. It’s a five-step ladder LED meter going from -40 to 0, and I’d like to see a few more intermediate steps. It’s not a deal breaker though, because most of us will set the gain looking at our DAW. The headphone sockets are on the back. I prefer to have more direct front access. That way, the cords don’t get entangled in a mess of wires. The 48V phantom power buttons are black and small and they don’t light up when engaged. In poorly lit surroundings it’s not always easy to see if these buttons are pressed down. Unlike my iD22, the SSL2 and 2+ units don’t have a high-pass filter which I think is a useful feature if you want to cut down on low rumble in your recordings (and your microphone doesn’t have that switch). I’ve attached a Shure A15HP – In-Line Hi-Pass Filter to my unit and it does the job, but you can also filter your audio with a plugin in post. I’ve read reviews that don’t recommend using low-impedance headphones with these units. Nonsense! My Austrian Audio Hi-X55 cans have a low impedance of 25 ohms, and sound magnificently detailed through the SSL headphone amps. And then there’s the Legacy 4K effect. Some reviewers love it and won’t record anything without it. Others think it’s just a gimmick. Now for the pros. By building these interfaces in China, SSL was able to put them on the market at an insanely low and very competitive price. The SSL2 is a little over two hundred dollars, and the 2+ comes in under three hundred. This includes the production pack software package. These may be entry level units, but they definitely bring superb Solid State Logic sound quality to your home studio. The overall no-frills design is intuitive and just makes sense. I like the sloped shape, and the controls are smooth and sturdy. This plug and play audio interface is easy to use. You don’t need an external power supply, and yet it has enough oomph to go to 11, and feed a dynamic/ribbon microphone! CONCLUSION In short, the SSL2 and SSL2+ offer outstanding value for money. Don’t let the audio snobs talk you into buying expensive boutique preamplifiers. Spending more cash doesn’t automatically mean your sound quality will get exponentially better. In fact, the more money you spend, the smaller the audible improvements will be. Who are you trying to impress? Your Facebook friends or your Insta-buddies? Give me a break! For a little over two hundred bucks you can get all you need to power your voice over studio with pizzazz! What’s more, you’ll feel very good about having saved some hard-earned money. And that’s a logical, solid state to be in! Read more

SSL is very good product. It perfectly matches for my requirement. No latency at all. Read more

BETTER THAN THE ORANGE ONE ! LOVE THIS PRODUCT ! Read more

Really good interface. Easy to install and lots of options. Do read the manual or watch a tutorial video on how to use it. Only downside is that it doesn't have an on/off button. Read more

Very Good Quality and produces real like my voice when I listen to it. Highly recommended, No problems at all 😁😁 Read more

I received my SSL 2 before couple hours ago, setting up this device is so easy, plug & play. I downloaded the latest firmware and drivers and that's it. The audio I'm getting compared to my previous focusrite 2i2 1st gen is like i have entered to a room, i feel like everything upgraded simultaneously, lol. By playing on my I banez RG series with this audio interface, gave my guitar tone that I couldn't get with the previous audio interface. I'm simply in love with this beast so far and can't wait to explore more and see what i can achieve with the clarity of sound I'm getting. Pros 10/10 Cons 0/10 Read more