Very happy with the product and the vendor! Read more

Der Kodak ProImage 100 ist ein Film, der in den 90er Jahren für den professionellen Einsatz konzipiert wurde. Technisch ist er im Bereich zwischen dem Kodak Gold 200 und dem Kodak Portra 160 angesiedelt und hat eine Empfindlichkeit von 100ASA. Vor meiner ersten Rolle von diesem Film hatte ich keine allzu hohen Erwartungen, die Ergebnisse haben mich dann aber sehr überrascht. Die Leistung des Films ist viel höher, als ich es erwartet hatte. Die Auflösung ist toll und die Bilder werden sehr scharf. Das Korn ist fein und sieht sehr schön aus, nicht ganz auf dem Niveau eines Portra 160, aber auch nicht weit davon entfernt. Ich liebe es auch, was der ProImage mit den Farben macht. Hauttöne werden sehr natürlich wiedergegeben, wodurch sich der Film gut für Porträts eignet. Auch sonst werden die Farben sehr natürlich und Kodak-typisch haben die Fotos einen schönen warmen Look. Auch kontrastreiche Situationen meistert der ProImage zu meiner vollen Zufriedenheit (Lichtmessung auf die Schatten). Der ProImage reagiert auf Licht aber etwas anders, als andere Filme. Bei Überbelichtung nimmt die Farbsättigung ab, Farben sehen etwas "ausgewaschen" aus (siehe das Bild vom St. Petri Dom in Bremen), während sie bei anderen Filmen eher zunimmt. Während es normalerweise bei Farbnegativfilmen empfohlen wird, diese um eine oder zwei Blendenstufen überzubelichten, ist es beim ProImage also ratsam, ihn wirklich auf Boxspeed zu belichten (außer natürlich, man möchte genau diesen ausgewaschenen Look haben). Insgesamt finde ich, dass der ProImage 100 einen sehr schönen Film-Retro-Look bei gleichzeitig hoher Abbildungsqualität bietet. Read more

O pacote com os cinco filmes chegou no prazo e em perfeitas condições. Read more

Jag har ännu inte använt filmerna jag köpte Read more

I purchased The Kodak Pro-Image 100 to try out as an all around general purpose film. I was pleasantly surprised at how this film performed! I live in an area North West California Coast )that has pretty high humidity and noted that this film is made specifically for this type of environment. It is also rated as able to be stored at room temps in this type of environment, high humidity and higher than normal temps. Perfect for everyday storage and carry. These were all pluses for me but the proof is the final result and this film really preforms, and well! Colors are well saturated and represented but not over the top or overly saturated. The contrast is nice and even across the entire spectrum but seems to favor midtone and the shadow region. The entire color spectrum is well represented with a slight favor towards the reds. Skin/Flesh tone is right on and as stated, not over saturated but well defined and natural. With a normal Mufti-coated Uva or Skylight filter this film has a very very slight tilt towards being warm but you really have to look for it. Greens are dead on and again on the warm side, not harsh but natural with no blue cast. I added a Nikon A2 warming filter which is what I normally use when shooting Fuji Provia or Fuji 50 to bring it up just a bit and it really liked the combination. The results were better than what I had expected. Again, nothing over the top as far as color saturation but slightly better contrast in the highlights and lighter regions and overall slightly warmer across the spectrum. Where the Pro-Image 100 really shines was when I started home scanning the processed negatives. It is a really easy film to scan. Very little correction is needed and the results were almost as good as the scans I got from the Lab when I had the film processed. My limiting factor is my scanner and not the Negatives. For the average user wanting to scan their own negatives the Pro-Image 100 will give you great results. It also has great latitude. You can Push this stuff quite a bit with little loss in detail and some slight improvement in contrast. When shot at normal ASA grain is almost undiscernable and very slight when pushed to 2 stops. In fact this was one of the first things that I noticed when reviewing the scans and prints from the first several test rolls I had processed. Slightly underexposing Pro-Image 100 produces usable shots but with some loss in detail in the darker or shadow region but still results in a usable shot. I took three test shots Bracketed and threw them into my HDR program with excellent results. The final tone-mapped image was stunning and better than expected. I normally shoot slide film but after trying this Print film and seeing how well it performs it will fill a gap in my shooting requirements. I have one camera now always loaded with a roll of this for everyday shooting when I'm out and about. A good film for those Sunny days at the beach or anywhere ample light is available.(Or Pushed a stop or two) I shoot available light only and don't shoot with a flash, so I cant comment on how well it works with a flash. One thing of note that should be mentioned; The several Sunset shots I took with this film were stunning! All in all I am very happy with Kodak Pro-Image 100. For the price and the level of performance, its a great value! Jen Read more